Today we release part two of our interview with Anna Kelberg-Kim. She's the Founder of Kelberg Law, a law firm that specializes in entertainment law, intellectual property and immigration law. Anna will share her journey from Kazakhstan to practicing law in the US, and we'll discuss a variety of intellectual property issues. Legal matters can be fairly dry, so we decided to be creative in crafting lighthearted "real-world" scenarios that artists will likely encounter in their careers.  The topics discussed are relevant to all in the arts, so please join us for this informative interview! https://kelberglaw.com

Today we released part one of our interview with Anna Kelberg-Kim. She's the Founder of Kelberg Law, a law firm that specializes in entertainment law, intellectual property and immigration law. Anna will share her journey from Kazakhstan to practicing law in the US, and we'll discuss a variety of intellectual property issues. Legal matters can be fairly dry, so we decided to be creative in crafting lighthearted "real-world" scenarios that artists will likely encounter in their careers.  The topics discussed are relevant to all in the arts, so please join us for this informative interview! https://kelberglaw.com

This week on the podcast is part two of our interview with Jauvon Gilliam. He's a musician with a portfolio career comprised of 3 demanding jobs. His day job is as the Principal Timpanist of the National Symphony Orchestra in Washington DC, but he's also the Director of Percussion Studies at the University of Maryland, and the owner of Capitol Percussion and Backline Rentals--a thriving backline company in the greater Washington DC region that has recently opened a multi-studio rehearsal facility. Much of our interview will focus on his backline company, and how Jauvon handles a variety of business activities from bookkeeping, to branding, to contracts, inventory, and more.  Tune in for information any arts entrepreneur can apply to their situation.

This week on the podcast is part one of our interview with Jauvon Gilliam. He's a musician with a portfolio career comprised of 3 demanding jobs. His day job is as the Principal Timpanist of the National Symphony Orchestra in Washington DC, but he's also the Director of Percussion Studies at the University of Maryland, and the owner of Capitol Percussion and Backline Rentals--a thriving backline company in the greater Washington DC region that has recently opened a multi-studio rehearsal facility. Much of our interview will focus on his backline company, and how Jauvon handles a variety of business activities from bookkeeping, to branding, to contracts, inventory, and more.  Tune in for information any arts entrepreneur can apply to their situation.

This week on the podcast is part two of our interview with Janet Dziak. She's the Founder and Executive Artistic Director of North Pointe Ballet. It's a nonprofit organization with a mission to make classical ballet accessible to everyone. Janet will share how she transitioned from being a professional ballerina to starting a nonprofit, as well as insight into how she created her board, how she approaches marketing, and more. We're sure you'll find it inspiring to hear all that North Pointe Ballet does to reach underserved populations and create sensory-friendly theatrical performances and art education workshops. If you've ever thought about ways to increase awareness and access to the arts, you'll want to hear Janet's interview

This week on the podcast is part one of our interview with Janet Dziak. She's the Founder and Executive Artistic Director of North Pointe Ballet. It's a nonprofit organization with a mission to make classical ballet accessible to everyone. Janet will share how she transitioned from being a professional ballerina to starting a nonprofit, as well as insight into how she created her board, how she approaches marketing, and more. We're sure you'll find it inspiring to hear all that North Pointe Ballet does to reach underserved populations and create sensory-friendly theatrical performances and art education workshops. If you've ever thought about ways to increase awareness and access to the arts, you'll want to hear Janet's interview. 

This week on the podcast is part two of our two-part interview with Angela Meleca, Executive Director of CreativeOhio, a member-driven, not-for-profit advocacy organization representing Ohio's arts and creative industry.  Angela brings with her a wealth of knowledge and experience in journalism, state politics, public relations and marketing, and as an art gallery owner for 7 years.  Angela shares how advocacy impacts arts entrepreneurs, and the resources available to them to help grow their ventures.  Arts advocacy is an important part of the arts ecosystem, so we hope you'll join us for Angela's interview

This week on the podcast is part one of our two-part interview with Angela Meleca, Executive Director of CreativeOhio, a member-driven, not-for-profit advocacy organization representing Ohio's arts and creative industry.  Angela brings with her a wealth of knowledge and experience in journalism, state politics, public relations and marketing, and as an art gallery owner for 7 years.  Angela shares how advocacy impacts arts entrepreneurs, and the resources available to them to help grow their ventures.  Arts advocacy is an important part of the arts ecosystem, so we hope you'll join us for Angela's interview

This week on the podcast is part two of our interview with Gene Koshinski and Tim Broscious. Accomplished musicians and composers in their own right, as the Quey Percussion Duo they've been dazzling audiences around the world for 20 years. You'll hear how they generated nearly 200 new compositions, juggle portfolio careers, plan tours, and much more. If you're interested in a performing arts career, you'll want to hear what Gene and Tim have to say!

​This week on the podcast is part one of our interview with Gene Koshinski and Tim Broscious. Accomplished musicians and composers in their own right, as the Quey Percussion Duo they've been dazzling audiences around the world for 20 years. You'll hear how they generated nearly 200 new compositions, juggle portfolio careers, plan tours, and much more. If you're interested in a performing arts career, you'll want to hear what Gene and Tim have to say!